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“[We made] sure that it was a really usable room, that it didn’t just look nice,” Hermogeno says. “I really feel like the dining room is a forgotten room,” says the designer, who set out to prove how vital the space is to a home. The room is anchored by a Riva 1920 table made with the wood of a 50,000-year-old Kauri tree, which Levine surrounded with seating for 12.
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The event draws more than 25,000 guests each year and offers several dining spaces, including Roe Japanese Fusion, the Tudor Rose Bistro, and Wattle & Daub Tavern. The Shops at the Showcase offer an array of merchants, from handmade jewelry to artisanal chocolates, and are also home to the Shops’s Wine & Cheese Bar. Designer Ashleigh Miranda focused on juxtaposing technology and earthy elements in her moody media room.
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Cynthia Silverman created a nursery fit for a prince or princess, incorporating golden accents and whimsical touches, such as the hot-air balloon light and animal figurines. She complimented the vibrant hue with metallic accents, Roman shades in a Morris & Co. fabric, and chairs upholstered in a moss green textile by Wesley Hall Fabrics. Native California wildflowers accent the Arroyo Vista Garden, which was designed with fire safety in mind.
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A black-and-white triangular mosaic tile floor by Artistic Tile from Mission Tile West puts a contemporary twist on the classic checkered pattern. Bursts of hot pink and apple green energize Steven Cordrey’s design for the home’s veranda. Hand-beaded light fixtures illuminate the seating areas, which feature tables and chairs from Janus et Cie’s Amalfi Coast outdoor collection.
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As the Pasadena Showcase House of Design enters its 59th year, it’s returning to a familiar setting. The Potter Daniels Manor, the English Tudor Revival–style residence that hosted the 1975 and 1996 showcase houses, has been reimagined with 30 new interior and exterior spaces for the 2024 edition, which is now open until May 19. Designer Stephanie Hatten updated the Gatehouse Kitchen, turning it into an airy English-country-inspired space. An eye-catching natural stone by Walker Zanger was selected for the counters and backsplash, and the space was outfitted with the latest Monogram appliances.
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The designer referenced the house’s original name, El Robles—Spanish for oak tree—with a tree-filled landscape mural by Arpy Dabbaghian. “For the wall mural, I had to pick something to bring them into nature and a calming environment,” Lalikian says. Samatha Williams’s Tearoom in the Gatehouse is brimming with vintage charm and elegant accents. Working with Jacqueline Black and Michelle Porreca, Williams brought in a Chinoiserie wall covering to give the space a garden-like atmosphere. Maria Videla-Juniel, who designed the primary bathroom of the main house, also devised a welcoming entry to the Gate House. A Thibault wall covering graces the entry, and a Fibreworks runner leads guests up the stairs.
Thibaut wall coverings and fabrics were used for the walls and windows, and the elegant shagreen-covered vanities are accented with gleaming fixtures by P.E. Videla-Juniel and project manager Cheryl Hardy also installed a striking shower clad in herringbone stone tile. The designers worked with a color palette of Dunn-Edwards paints, and several chose to highlight the brand’s 2024 Color of the Year, a steely blue called Skipping Stones. Nods to Pasadena’s famous peacocks can be found throughout the designs, and many creators fearlessly brought in statement floors, enveloped their spaces with jewel tones, and added texture to ceilings.
Landscape architect Elisa Read Pappaterra filled the center fountain with cascading succulents. The landmark mansion was built in 1902 by architect Joseph J. Blick for Gertrude Potter Daniels, who paid $15,000 for the shingle-style home. In 1905, Susanna Bransford Emery-Holmes—known as the Silver Queen thanks to the source of her late husband’s fortune—purchased the home and soon made it her own. In 1922, she spent $37,000 to have the Postle Company of Los Angeles, who also built the Pasadena Playhouse, remodel it into an English Tudor Revival–style mansion, giving it the regal exterior that remains today. The State of Connecticut is an equal opportunity/affirmative action employer and strongly encourages the applications of women, minorities, and persons with disabilities.
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“One of the main things we did was add a window seat, which looks like it should always have been here,” Slesinski says. “Our whole goal with this space was basically to turn the lights on in the room, bring in the garden that’s outside, and kind of have an experience of a breath of fresh air,” Brosio says. Hand-painted floors were the jumping-off point for designer Amy Peltier’s soothing primary bedroom design.
Cozy Stylish Chic Creative Director Jeanne K. Chung and designers Angela Lee and Caroline Meloche brightened the dark wood-paneled library to create a space where residents can unplug. Wallpaper was added to the ceiling and the backs of the bookcases, and heavy wood blinds were replaced with soft draperies and Roman shades to make the space feel lighter. The firm used a mix of fabrics and wall coverings by Ralph Lauren Home from Designers Guild throughout the space. Designers Frank Slesinski and Serena Brosio collaborated on the charming living room in the Gatehouse.
A palette of whites, deep blues, and gold creates an elegant atmosphere in the formal living room, which was designed by Rachel Duarte. The designer established two seating areas within the space, including a cozy gathering spot with chaise longues that flank the original carved marble fireplace. The room’s coffered ceilings were enhanced with a faux-wood decorative painting by Jhon Ardilla. Designer Mark Hermogeno paid tribute to Silver Queen Susanna Bransford Emery-Holmes in the kitchen, butler’s pantry, family room, powder room, and mudroom. “We wanted to concentrate on polished nickels and polished chromes to get that silver feel back in,” he says of the fixtures, hardware, and lighting by Kohler and Kallista. Hermogeno and designer Lynette Chin brought in a mix of vintage and new furnishings in the family room, incorporating performance fabrics for durability.
Another seating area with views of the garden was designed for more intimate dining, games, or meetings, and it’s illuminated by a Murano glass chandelier. At the far end of the room, Levine installed a lush purple sofa with cocktail tables, creating the perfect spot for drinks, dessert, or relaxing with a cup of coffee. “I’m all about gardens connecting the architecture into the landscape,” landscape architect Timothy John Palcic tells AD PRO. He used a limited palette of chartreuse and dark hues that nod to the brick exterior and arranged benches to create intimate seating areas within the larger English-garden-inspired space. A brick-walled patio became a party-ready outdoor kitchen and dining area thanks to Douglas R. Santicola of Outdoor Elegance. Santicola and Monique Wood installed Caesarstone countertops fabricated by Carlito’s Way Stone to create a functional space for outdoor entertaining.
